Sadovay-Kudrinskaya street, 25, 3rd floor, office 303, 123001
+7 (915) 113 55 15
patinated bronze, casting
15х15 cm, Н-53 cm, 2024(№ 1/30)
The movements of the dancer's arms and legs are mirrored, her pose forming a broken zigzag approaching the golden ratio, yet maintaining an inner tension, much like the contrast between the smooth gleam of her bronze body and the black patina of her costume. The pointe shoes and short tutu reveal her professional ballet training, and perhaps a past before she ventured into lighter genres. The black swan of vaudeville - in the role of a seductive temptress. Gloves and a mask complement her image of a femme fatale, adding mystery and sensuality. A vaudeville star is clearly an extraordinary personality. The dangerous Mata Hari, the extravagant Isadora Duncan, and the legendary beauties Cleo de Merode and La Belle Otero performed at the famous Parisian vaudeville "Folies Bergère," becoming symbols of La Belle Époque, the period at the turn of the 19th and 20th centuries, and serving as models for great artists and sculptors. Vaudeville was at its peak of development and fashion back then. Stepping out from that era, the dancer Aramare Veccio bridged the gap from classical ballet to the bohemian genre.
Sadovay-Kudrinskaya street, 25, 3rd floor, office 303, 123001
+7 (915) 113 55 15
Nevsky Prospekt, 57, Hotel "Corinthia St. Petersburg" 191025,
+7 (911) 932 11 53
Corner of the Marriott Yerevan hotel building